{"id":446,"date":"2018-07-27T18:50:39","date_gmt":"2018-07-27T17:50:39","guid":{"rendered":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/?page_id=446"},"modified":"2018-07-27T18:50:39","modified_gmt":"2018-07-27T17:50:39","slug":"okruhy-otazek-z-teorie-hudby","status":"publish","type":"page","link":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/okruhy-k-szz\/okruhy-otazek-z-teorie-hudby\/","title":{"rendered":"Okruhy ot\u00e1zek z teorie hudby"},"content":{"rendered":"

Okruhy ot\u00e1zek z teorie hudby u\u00a0bakal\u00e1\u0159sk\u00e9 st\u00e1tn\u00ed z\u00e1v\u011bre\u010dn\u00e9 zkou\u0161ky<\/h3>\n

 <\/p>\n

Zkou\u0161ka je \u00fastn\u00ed, student v jej\u00edm r\u00e1mci zodpov\u00ed teoretickou ot\u00e1zku z okruhu nauky o\u00a0hudebn\u00edch form\u00e1ch. Form\u00e1ln\u00ed a harmonick\u00e9 jevy m\u016f\u017ee demonstrovat na notov\u00fdch p\u0159\u00edkladech.<\/p>\n

Ot\u00e1zky:<\/p>\n

    \n
  1. Hudebn\u00ed forma – pojem<\/li>\n
  2. Prvky hudebn\u00edch forem (motiv, t\u00e9ma, motivick\u00e1 a t\u00e9matick\u00e1 pr\u00e1ce, figura, pas\u00e1\u017e)<\/li>\n
  3. Hudebn\u00ed v\u011bta a perioda (v\u011bta, perioda, dvojperioda), neperiodick\u00e1 v\u011bta<\/li>\n
  4. Mal\u00e9 p\u00eds\u0148ov\u00e9 formy (mal\u00e1 jednod\u00edln\u00e1, mal\u00e1 dvoud\u00edln\u00e1, mal\u00e1 t\u0159\u00edd\u00edln\u00e1, mal\u00e1 p\u00eds\u0148ov\u00e1 forma roz\u0161\u00ed\u0159en\u00e1 a z\u00fa\u017een\u00e1)<\/li>\n
  5. Velk\u00e9 p\u00eds\u0148ov\u00e9 formy (obecn\u00e9 znaky, velk\u00e1 dvoud\u00edln\u00e1, velk\u00e1 trojd\u00edln\u00e1)<\/li>\n
  6. Variace, kontrapunktick\u00e9 formy<\/li>\n
  7. Son\u00e1tov\u00e1 forma (historie a charakter, klasick\u00e1 son\u00e1tov\u00e1 forma, expozice, proveden\u00ed, repr\u00edza, odchylky od klasick\u00e9 son\u00e1tov\u00e9 formy), u\u017eit\u00ed son\u00e1tov\u00e9 formy v\u00a0cyklech a jednov\u011bt\u00fdch form\u00e1ch
    \n– v son\u00e1t\u011b, symfonii, komorn\u00ed hudb\u011b, suit\u011b
    \n– v koncertu
    \n– v ouvertu\u0159e a symfonick\u00e9 b\u00e1sni<\/li>\n
  8. Rondov\u00e1 forma (obecn\u00e9 znaky a rozd\u011blen\u00ed rondov\u00fdch forem, mal\u00e9 rondo (couperinovsk\u00e9), velk\u00e9 rondo, son\u00e1tov\u00e1 ronda)<\/li>\n
  9. Fuga (v\u00fdvoj, hlavn\u00ed znaky, terminologie)<\/li>\n
  10. Suita, barokn\u00ed suita, seren\u00e1da, divertimento, kasace, modern\u00ed suita<\/li>\n
  11. Klasick\u00fd son\u00e1tov\u00fd cyklus a jeho vnit\u0159n\u00ed \u0159\u00e1d, odchylky od uspo\u0159\u00e1d\u00e1n\u00ed, n\u00e1strojov\u00e1 obsazen\u00ed<\/li>\n
  12. Voln\u00e9 formy, kombinovan\u00e9 formy, fantazie a voln\u00e9 formy improviza\u010dn\u00edho zalo\u017een\u00ed<\/li>\n
  13. Programn\u00ed hudba, symfonick\u00e1 b\u00e1se\u0148<\/li>\n
  14. \u017d\u00e1nry – charakteristick\u00e9, poetick\u00e9, tane\u010dn\u00ed<\/li>\n
  15. Vok\u00e1ln\u00ed hudba (historick\u00e9 formy jednohlas\u00e9ho a v\u00edcehlas\u00e9ho zp\u011bvu, p\u00edse\u0148, moteto, melodram, velk\u00e9 sc\u00e9nick\u00e9 formy, \u00e1rie, recitativ, kant\u00e1ta, oratorium, pa\u0161ije, m\u0161e)<\/li>\n<\/ol>\n

     <\/p>\n

    Z\u00e1kladn\u00ed literatura:<\/b><\/p>\n

    Zenkl, L.: ABC hudebn\u00ed nauky, Praha, B\u00e4renreiter 1999
    \nHoryna, M\/ Vr\u00e1nek, T.: Multimedi\u00e1ln\u00ed u\u010debnice kontrapunktu, \u010c. Bud\u011bjovice, JU 2004
    \nH\u016fla, Z.: Nauka o kontrapunktu, Praha, Supraphon 1985
    \nJane\u010dek, K.: Harmonie rozborem, Praha SHV 1963
    \nKofro\u0148, J.: U\u010debnice harmonie, Praha B\u00e4renreiter 1996
    \nTich\u00fd, V.: Harmonicky myslet a sly\u0161et, Praha HAMU, 1996
    \nJane\u010dek, K.: Hudebn\u00ed formy, Praha, SNKLHU 1955
    \nZenkl, L.: ABC hudebn\u00edch forem, Praha, Supraphon 1990<\/p>\n

     <\/p>\n

    Dopl\u0148uj\u00edc\u00ed literatura:<\/b><\/p>\n

    Jeppesen, K: Kontrapunkt, Leipzig, Breitkopf und H\u00e4rtel, 1956
    \nK\u00fchn, C.: Kompositionsgeschichte in kommentierten Beispielen, Kassel, B\u00e4renreiter 1998
    \nK\u00fchn, C.: Analyse lernen, Kassel, B\u00e4renereiter 2002<\/p>\n","protected":false},"excerpt":{"rendered":"

    Okruhy ot\u00e1zek z teorie hudby u\u00a0bakal\u00e1\u0159sk\u00e9 st\u00e1tn\u00ed z\u00e1v\u011bre\u010dn\u00e9 zkou\u0161ky   Zkou\u0161ka je \u00fastn\u00ed, student v jej\u00edm r\u00e1mci zodpov\u00ed teoretickou ot\u00e1zku…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":438,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-446","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/pages\/446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/comments?post=446"}],"version-history":[{"count":0,"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/pages\/446\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/pages\/438"}],"wp:attachment":[{"href":"https:\/\/old.pf.jcu.cz\/structure\/departments\/khv\/wp-json\/wp\/v2\/media?parent=446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}